As you know, I’ve finished my book and I’ve begun the long process of editing it. I’ve been fortunate to have award-winning author, Christina Kaye, work with me on the edits. So, I’ve invited her to make a guest post on my blog to help all of you who are going to be editing or are currently editing your novels.
The blog is all yours, Christina!
What Every Author Needs To Know About Editing A Manuscript
Author: Christina Kaye (author of the Award-Winning Flesh & Blood Series)
You’ve finished your manuscript. Congratulations. Now what? Time to send it off to agents, right? NOT SO FAST! SLOW YOUR ROLL! HOLD YOUR HORSES!
This is one of the biggest mistakes newbie authors make when trying to get their book published. They want to rush straight to querying agents the moment they type THE END. I get it. It’s exciting. You’ve spent weeks, months, or even years pouring your heart out through your fingertips and creating your “baby.” You know you have written THE book…the next best seller. Come on, don’t deny it. You know you’re thinking it. That’s okay. All authors have had the same feeling. But you can’t rush the process. You can’t skip the most important leg on the journey to book publication…editing.
It is essential that your novel be thoroughly edited before you even consider querying agents. But most authors, especially newbies, aren’t sure how to go about editing their manuscript. Either that or their intimidated by the idea of having someone “tear apart” their work. So let’s discuss some key points regarding editing so you can hopefully ease your mind about this absolutely crucial part of the writing/publishing process.
Why Hire an Editor?
I know this sounds like a no-brainer, but there are so many authors who believe they can simply type up a manuscript, review it themselves, and call it a day. But that is super risky. Why? Because everyone becomes blind to their own mistakes. You’ve spent so much time focusing on getting your story down on paper that you probably weren’t thinking so much about grammar, sentence structure, punctuation, and even those pesky little rules of writing that go above and beyond what we learned in high school and college English courses. You need an experienced, trained, and objective set of eyes to check your work and make sure the manuscript is in as good a shape as possible. If you send an unedited manuscript to agents, no matter how great your concept may be, you will be done before you even get started. If an agent asks to read a manuscript because the query has piqued their attention and then they begin reading only to find the script full of errors, or not properly written, they will stop reading immediately and write the book off. I’ve seen so many manuscripts come through my email based on an amazing query and then had my heart broken because it’s clear the author didn’t bother to have the manuscript edited before sending it to me. Don’t do this. It’s not worth it. Hire an editor.
What Exactly Is Editing?
There are a couple different types of editing for manuscripts. Which type you choose is completely up to you, but I highly recommend you go for broke and have your manuscript edited as thoroughly as possible. Here are the two main types of editing:
Copy Editing (sometimes referred to as Line Editing)
This is where the editor will focus solely on the words in your manuscript, not the bigger picture, plot, characters, etc. Your editor will correct any spelling, grammar, sentence structure, or punctuation errors. A good editor will also keep an eye out for all those annoying little writing rules, such as dialogue tags, overuse of adjectives/adverbs, dangling modifiers, passive voice, and so on. Again, these are the kinds of issues an author typically either doesn’t know, or doesn’t catch on their own because we are so focused on the story and characters. Even if you think you’re a good self-editor, trust me, you’re not. No offense. You may be more highly skilled with the technical aspects of writing a novel, but as I said earlier, I can guarantee you can’t catch even half of your own mistakes. It’s just human nature.
Developmental Editing (sometimes referred to as Content Editing)
This refers to the work an editor does on the “big picture” aspects of your novel, such as plot, consistency, timeline, plot progression, pacing, and character development. This can be done in lieu of or in conjunction with Line Editing. Again, as with technical writing, there are so many rules we authors have to follow to please editors and publishers. For example, where you start your novel is one of the most important things an author can consider. If your book starts with a dream sequence, description of weather or setting, or too little/too much dialogue, then you’re going to lose the reader’s (and the agent’s) attention on page one. Also, slow pacing is a huge deal breaker for agents. If your book moves too slowly, if you spend too much time describing a person, place, or thing, you will lose their attention and put the book down (which means an instant rejection). These are just a couple of things a good editor can help you with. In my opinion, you should always pay a little bit extra for good developmental editing. Not only will you learn so much more and progress as an author, but your book will be so much better than you ever imagined possible.
How Much Does Editing Cost?
Depends. Like any professional service, editing can run the gamut from super cheap to painfully expensive. You don’t have to hire the highest charging editor. There are plenty of affordable options out there if you take the time to research. But keep in mind, you get what you pay for. If you settle for the lowest possible price and put cost above all other considerations, think about what and who you are paying to work on your baby.
I’ve seen editors out there charging upwards of $1,000 or more for an average length manuscript. To me, that’s just ridiculous. Now, maybe if you’re Stephen King or Nora Roberts and you have money to burn, you can hire a top of the line editor and pay them an arm and a leg for primo editing. But most of us are struggling artists and very few of us have the funds to pay that much money. I argue that you don’t have to break the bank in order to find a quality, experienced, and professional editor. Most reasonable editors will charge you something like this:
.007c per word (80,000 word MS would run about $560.00)
Be prepared to spend anywhere from $250 to $600 (or maybe slightly more), depending on novel length, editor’s fees, and type of editing desired. You will typically pay less for line editing and more for content editing. Some editors will ask you to pay this all up front, but I strongly urge you to seek an editor who will consider either payment plans or splitting the fee (half up front, half upon completion). God forbid you pay someone $500 to edit your book and either you don’t get your work back, or they don’t do amount of work you have paid for. Trust me, this happened to me once, so I now only work with editors who will split the fee half and half. This keeps everyone honest and relieves some of the financial burden, making editing more affordable and less painful for the author.
How Do I Find/Hire An Editor?
This can be a bit tricky. How do you know you are hiring the right editor? Look for editors with experience, testimonials, and even better, published authors on their resume. To find a quality and dependable editor, reach out to your author friends and do some networking. Ask around for recommendations. Another way to find a great editor is to join groups on Facebook for authors and editors (just search Groups for those words). Or follow the #amwriting and #amediting hashtags on Twitter and tweet that you’re looking for referrals. There are also databases you can find online that list professional freelance editors, their requirements, what they offer, and their fees.
This is super important! Never, ever hire an editor without first asking them to provide a sample edit for you. Most reputable editors will offer you a sample edit (5 or 10 pages) so that you can get a feel for their skill level as well as if you will work well together. I repeat, NEVER pay an editor the full fee up front without at least checking their references, getting a sample edit, and doing your research on them. Once you’ve narrowed the editors down to your top choices, ask those editors not only for the sample edit, but for names of authors they have worked with in the past. Ask if you can reach out to them and DO IT! Ask the other authors if they were satisfied with the work the editor provided, did they work at a reasonable pace, etc.
TO SUM IT UP:
Now that we’ve gone over the important aspects of hiring an editor for your manuscript, it’s time to get the ball rolling!
If you are seeking a reputable, experienced, and affordable editor, please keep in mind that I do offer editing services to authors of all genres and categories. I have testimonials from past clients posted on my website. I offer reasonable, competitive rates you’ll be hard-pressed to beat. I have a fast turnaround time and I offer unlimited free communications by email, phone, or social media messenger during the process. And also important – I’m an author, too, so I know what my peers need/want and I treat all my clients with respect. I am very thorough and honest, but never rude or condescending.
If you would like to discuss working with me to edit your baby and get it in the best shape possible, please check out my website. Read my Bio Page so you can get an idea of who I am (author, editor, literary agent intern), then check out my Editing Services Page for rates, guidelines, and contact info.
Best of luck to you. Any questions, comments, etc. can be directed to me at the following email:
I never charge a dime for advice or guidance. I love to help fellow authors navigate this exciting but demanding industry.
Christina Kaye, Author/Editor
Thank you so much, Christina, for sharing that important and useful information with my readers. I can’t tell you what a difference you’ve made with my novel!
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